Our Hotel in Kyoto was located in a quiet network of streets not far from the Imperial Palace and gardens. When we first arrived it seemed to form part of a network of residential houses but on closer inspection it became clear that, while there were certainly residential dwellings, there were also a number of small restaurants and cafes nestling in unexpected corners and behind unassuming doorways.
In fact for our entire stay in Kyoto we barely walked more than a bout 15-20 minutes to eat and indeed on most occasions, our chosen dining destination was considerably closer.
On the first evening (before we had found the “Gnome” Irish pub, we had gone to a French Restaurant located in what later turned out to be one of the historic older buildings that had been constructed very much with a Parisien bistro atmosphere in mind - an outside courtyard surrounded by a decked terrace, with a very dark wooded interrupt with Lo’s lighting and discreet tables dotted around the interior - felt like Rick’s Bar in “Casablanca” - and had a pronounced French tilt tot he dishes on offer (including the Boullabaise that both A and I enjoyed).
I wasted no time in booking a bike tour - the Bamboo and Golden Temple exploration ride which was run by a chap from Malaysia and had one other participant.
I had grabbed breakfast at a nearby 7Eleven (another real find in Japan - essentially a corner chop that sold almost anything one would need including food and drink as well as dispensing money and concert tickets - although these obviously exist outside of Japan, the Japanese had (like a lot of service related utilities) turned them (and their rivals like FamilyMart) into an art form - convenience stores with a capital “C” where one could eat breakfast, lunch and Dinner as well as clothe oneself and get the necessary accoutrements to wash yourself and your clothes. We made full use of their ubiquity and their range of services throughout our stay.
Although we started the ride in a mild drizzle, it was another hot and sweaty day and both the tour guide and my fellow tourist were on e-bikes so I was labouring along at the rear trying to keep up on occasion. It was however an excellent way of exploring the ancient city of Kyoto as we explored numerous temples and palaces (including the stunning Golden Pavilion - see photo below - another victim of a recent fire (albeit apparently at the hand of a disillusioned monk rather than after an earthquake) but beautifully restored), as well as paddy fields and an amazing Bamboo Forest.
I have already written at length about the excellent food and drink that we had encountered during our trip to Japan and one of favourites of the whole trip was a visit to a Teppanyaki restaurant across the road from our hotel specialising in Misagya beef from an area quite close to Kyoto.
As you can see from the photo below, the meat (and accompaniments) are cooked in front of you and it is quite the theatrical experience. Whilst one of the more expensive meals of our trip (around US$170) you pretty much get to taste bits form the whole cow (and a chef to your self) and the quality of the meat as well as the are with which it was cooked made for a truly memorable experience.
We also managed a visit to the Kyoto Museum of Modern Art and the Kyocera Museum which faced each other (separated by a giant Tenor Gate) and provided fascinating displays of traditional and contemporary Japanese Art as well as an interesting collection of tea and coffee pots (see examples below).
The Japanese take there tea ceremonies very seriously and it is as much a piece of theatre (rather like the Teppanyaki restaurant) as an opportunity to take tea with someone - the main idea is that each time you have tea with a friend/acquaintance/family etc, it is a unique event either because of the choice of tea used, the combination of equipment, furniture, clothes etc.. Really fascinating and the collection of tea and related utensils on display made it very clear how it was possible to arrange a unique experience for each tea ceremony.
The kyocera Museum also had a display by a quite well known modern Japanese artist who had created several well known cartoon characters. Judging from the somewhat grumpy captions that he had affixed to some of the specially commissioned art works he had produced for the exhibition he had not been particularly happy with the time scales that he had been given to prepare the art works (indeed some of them although on display were still “in progress”.